Editing Secrets

Three Editing Secrets to Improve Your Manuscript

You’ve done it! After months and months of hard work and sleepless nights, you’ve finally finished your first draft. Time to send it off to agents and publishers? Think again. This is where the hard work really starts.

Now it’s time to go back to your first page and begin all over again. It sounds soul destroying when put like that but actually turning your first draft into a polished manuscript can be the most rewarding part of the writing process.

Here are some tips about how to go about it:

  1. Take a Step Back

To be objective you might want to step away from your novel for a while. This is the time to go on long walks or out for lazy lunches. Not only do you deserve the break, it will also give you the chance to come back to your work with a fresh pair of eyes.

  1. Read Your Manuscript in One Sitting

This may sound daunting but it will enable you to see the bigger picture. Instead of worrying about individual sentences, assess your novel in its entirety. By reading it in one go you’ll spot plot and character inconsistencies as well as passages that need tightening.

  1. Question, Question and Question

Does the novel have a clear beginning, middle and end? Are the characters engaging and three dimensional? Are they driving your plot or vice versa? Is there enough conflict? What does your protagonist want? What are the barriers to them achieving their goal?

By looking at your novel in this way, through the eyes or a reader rather than a writer, you will end up with a manuscript that is nuanced and compelling.

And most importantly by taking the time to edit carefully you’ll end up with a piece of writing you can be truly proud of. Good luck!

Secret to Writing Great Dialogue

Struggling to make your dialogue authentic? Try eavesdropping. On the bus. In restaurants. Standing in line at the check-out. It doesn’t matter where you do it- just make sure you have a notebook handy.

Look for:

  • The pauses between the conversation, and where the speakers pick up and drop off from each other
  • How one person dominates or leads
  • Unusual expressions or contractions
  • How it flows

Earwigging on random conversations is a time-honoured technique used by countless well known writers.

As Charles Haas (screenwriter- Gremlins 2, Matinee and Over the Edge) said:

“I do pay attention to what people are saying. I think it’s a good writing technique because it builds up one’s ear for dialogue and vernacular.”

The most convincing dialogue comes from real people in real situations. By listening to how people talk to each other you can identify different speech patterns and come up with some great lines. Plus, if you’re a bit nosy like me, you can have a lot of fun too!

My favourite eavesdrop came a few weeks ago at a pub in Shepherd’s Bush.

‘I don’t fancy locust, babe,’ a man said into his cell-phone shaking his head and sleeving beer foam off his top lip.

I’ve no idea what they were talking about but I am glad I wasn’t invited round for supper.